Articles for tag: analysisclassicalcriticsjournalmagazinemusicnewsnewspaperreview

April 6, 2026

Editorial Team

A Serious Schubert Evening with Goerne in Paris

Grande salle Pierre Boulez, 27 March 2026 This Schubertian triptych closed under the sign of the unexpected. The three concerts programmed at the Philharmonie de Paris this March were to bring together Matthias Goerne and Daniil Trifonov, a pairing announced as one of the highlights of the season. But Trifonov, forced to withdraw for health reasons, left the piano bench vacant for the entire cycle. The Philharmonie kept all three evenings on the calendar, entrusting the accompaniment to Martin Helmchen, a long-standing artistic partner of the German baritone. A substitution that, from the first night, ceased to feel like one.

When Two Musical Worlds Clash and Create Something New

There’s a particular kind of magic that happens when a jazz musician finally understands that Bach was improvising all along. On Tuesday evening, December 02 2025, at Studio TD, pianist Paul Lay and his trio—Clemens van der Feen on double bass and Donald Kontomanou on drums—didn’t just perform Bach through a jazz lens. They made the case that these are actually the same thing. The Festival International Bach Montréal‘s decision to program a jazz trio might have seemed unconventional, yet it paid off. By trusting that Bach’s music could sustain multiple approaches, the festival acknowledged something essential: that tradition remains

Orliński Returns to Montreal: Redefining the Countertenor

There was an unmistakable sense of anticipation in Salle Pierre-Mercure on Monday evening as Jakub Józef Orliński took the stage alongside pianist Michał Biel at the early dates of the Festival International Bach Montreal 2025. Seven years had passed since the Polish countertenor’s first Montreal appearance in 2018—a performance that had left audiences mesmerized at the Church of Andrew and St. Paul. Yet the artist returning to us this November was not simply repeating past glories. Instead, Orliński presented something more ambitious: a recital designed to dismantle, once and for all, the narrow expectations placed on the countertenor voice. The

December 28, 2024

Editorial Team

Festival Bach Montréal 2024: Highlights, Surprises, and Reflections

When the Festival Bach Montréal 2024 concluded this December, it left behind a tapestry of sounds and experiences as intricately woven as the composer’s most elaborate fugues. For nearly a month, the city— and indeed beyond stretching to Québec and Ottawa—reverberated with the legacy of Johann Sebastian Bach, reimagined through a rich program that mixed time-honored traditions with contemporary approaches. This year’s edition offered a remarkable journey that began with open-armed accessibility and culminated in moments of shimmering grandeur. The festival, which has become a touchstone for Bach aficionados in North America since its modest six-day inception in 2005, has

The Power of Conducting: Beyond Just Waving a Baton

To the casual observer, the conductor of an orchestra might appear to be merely a figure standing in front of musicians, rhythmically waving a baton to keep time. However, the reality is far more complex. The conductor’s role is a blend of artistry, leadership, and deep musical understanding. Conducting is not just about keeping the ensemble in sync; it’s about interpreting the music, inspiring the musicians, and shaping the overall performance. This article explores the nuanced and multifaceted art of conducting, delving into its history, responsibilities, and the profound impact a conductor has on the music we hear. The History

How the Romantic Era Revolutionized Classical Music and Art

The Romantic Era, spanning from the late 18th to the early 19th century, was a period of profound transformation in the world of classical music and art. This article delves into the key characteristics, influential figures, and lasting impact of the Romantic movement, which sought to express deep emotion, individualism, and the sublime in its works. Origins and Characteristics of the Romantic Era The Romantic Era emerged as a reaction against the rationality and order of the Enlightenment and the Classical period that preceded it. Artists and composers of the Romantic period sought to break free from the constraints of

The Key Traits of Baroque Music and its Composers

The Baroque period, spanning from approximately 1600 to 1750, was a time of dramatic innovation and creative flourishing in Western classical music. Characterized by its ornate style, emotional expressiveness, and technical virtuosity, Baroque music laid the foundation for many musical forms and conventions that followed. This article explores the key characteristics of Baroque music and highlights some of the most influential composers of the era. Characteristics of Baroque Music Baroque music is distinct for its stylistic and structural features, which reflect the period’s broader cultural and artistic trends. Some of the defining characteristics include: 1. Ornamentation: Baroque music is known

Exploring the Forms of Sonatas, Symphonies, and Concertos

Classical music encompasses a wide variety of forms and structures, each with its own unique characteristics and historical development. Among the most important and enduring forms are the sonata, symphony, and concerto. This article delves into these three forms, exploring their origins, key features, and notable examples. The Sonata: A Journey Through Musical Form The sonata is one of the most fundamental forms in Western classical music, serving as a blueprint for many compositions from the Baroque period to the present day. The term “sonata” derives from the Italian word “sonare,” meaning “to sound,” and originally referred to a piece

The Development of Opera from Monteverdi to Verdi

Opera, a vibrant and dynamic art form, has evolved significantly since its inception in the early 17th century. From the pioneering works of Claudio Monteverdi to the grand operas of Giuseppe Verdi, this article explores the development of opera, highlighting key composers, stylistic transformations, and the enduring legacy of this beloved genre. The Birth of Opera: Claudio Monteverdi Opera as an art form began to take shape during the late Renaissance and early Baroque periods. Claudio Monteverdi (1567-1643), often referred to as the father of opera, played a crucial role in this transformation. His innovative approach combined music, drama, and